Tag Archives: Leica S2-P

Studio Shoot with Emily Therese

Shot with the Leica S2-P, this shoot features model Emily Therese with makeup / hair styling by Karrie Welch.

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An update – thoughts and news

Did some shooting this weekend. Also did some grilling. Long summer weekends are the best for both.

I shot with GONE BY DAYLIGHT on Friday night. They needed promo photos and I shot them in an empty studio space in the building that houses my law office. I had four Profoto D1 500′s… one profoto Acute 2400 generator with a D4 head. Sid Vintage did the styling. Karrie Welch from Fortunate Face Minerals did the makeup.

GONE BY DAYLIGHT led up to their reputation. Fun, Good Times, and Great Shots filled our evening into the wee morning. I shot them using my Leica S2-P. Most of the shots featured the 70mm lens – as wide open as possible (2.5-5.6) using filters. I also used the 35mm for a few group shots as it was impossible to get them within the frame at such a narrow depth of field.

I love the Leica glass…. it’s sharp wide open. It’s calibrated to be so. No other glass I know is meant for that. So while shooting at 2.5 is crisp – it may not be enough depth to get everyone in focus. It was a problem that I solved by going wider.

Thanks go to Tricia Slate and Emily Therese for their amazing assisting of me during the shoot – including the pizza / drinks run. Thanks ladies!

Saturday, Karrie Welch came back and Emily Therese put her model hat on. Or off – in this case – as Karrie also did hair.

I used both the 70mm lens and the 180mm lens for full body and facial portraits respectively. I usually use the 70mm for everything – as I like that working distance between the model and my subject (especially if we are on location and others are around and I wanna keep my actions to a minimum.) However, in a studio setting when room is not an option – the 180 is an amazingly flattering lens. The compression on a subject’s face is probably the most flattering I have seen in a long time.

I added a second head to the 2400 generator and an Acute 1200 generator with a ringflash.

While I started shooting with my “patented” 7 light fashion setup… I didn’t do it exclusively for both looks. The second look only used 2 or 3 lights (depending upon the particular shot) and frankly, I liked that one a lot better. Sample photos will be up soon – as soon as I finish editing more than just a handful.

I guess I need to go back to school for studio lighting. Not literally… but I guess it’s time to invest in some books, some more modifiers, and some time. But it’s certainly nice to be re-inspired.

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Gone by Daylight – Reunion Promo Photos

Gone by Daylight – Reunion Promo Photos shot in Northampton, MA with Leica S2-P.

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The S2-P: First Look at the Greenhouse (My Opinion)

Wow. I assumed that having the first Leica S2-P would attract some attention… but I did not expect it would attract this much. As such – I am going to put a link to an FAQ page here in front – to answer some of the frequently asked questions.
This website is dedicated to my own personal fine art projects. I am not a professional photographer. I certainly could pursue photography commercially but I think it would lose the magic that has captured my attention this long. I enjoy photography for the art of it – and the fact that my images make some money, is a bonus.
In my own personal work – I do almost exclusively location based shooting. I don’t have (or enjoy) the benefits of having a controlled studio environment. In fact – quite the opposite, as I tend to enjoy shooting in long since abandoned locations.
There are a few factors I take into consideration when picking out primary camera gear for any of my projects. The first is size. I had been shooting mostly professional Canon cameras – as their portability and durability on location could not be matched.
However – their flexibility was a trade off for limited resolution and dynamic range. I moved to digital medium format in 2007, working exclusively with a Mamiya 645AFDII + Leaf Aptus 75s digital back. The size of the MF kit was quite large and bulky to be comfortable in the urbex environment. Not to mention – shooting in very low light levels was NOT its strong suit.
Considering the fact that the Leica S2 houses a sensor 56% larger than the Canon 5dmkii, I find it surprising that the size of the cameras with comparable lenses (180mm on the Leica, 24-70 2.8L on the Canon) was almost identical.

Furthermore, the S2 is fully weather sealed. Leica claims that it actually exceeds the standards set by the Canon 1ds line. In a previous issue of LFI magazine, it was exclaimed that the S series lenses underwent a cycle in the dishwasher – in order to reinforce the idea that this camera is meant for the cleanest – and not so cleanest – conditions.

The camera arrives…

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The Unboxing Video

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